Roy Orbison’s “Oh, Pretty Woman,” particularly the electrifying rendition from the “Monument Concert 1965,” is a cornerstone of rock and roll history. Orbison, known as “The Big O,” possessed a uniquely operatic voice, a stark contrast to the raw energy of his contemporaries. His signature dark sunglasses and melancholic stage presence added an air of mystery to his powerful vocals, setting him apart as a true original.
“Oh, Pretty Woman,” co-written with Bill Dees, tells a simple yet universally relatable story. It captures the fleeting moment of admiring a beautiful woman walking down the street. The narrator’s internal monologue swings from hopeful lust to resigned acceptance as he observes her, ultimately ending with a surprising twist of optimism. The song’s iconic opening guitar riff, instantly recognizable and irresistibly catchy, sets the stage for Orbison’s soaring vocals.
Released in 1964, the song’s studio version was a massive commercial success, topping the Billboard Hot 100 chart and achieving similar success internationally. It earned Orbison a Grammy Award for Best Rock and Roll Recording. However, the “Monument Concert 1965” version elevates the song to a new level. You can hear the raw energy of a live performance, Orbison’s voice even more powerful and emotive, backed by a tight band.
The audience’s reaction, palpable even through the recording, is electric. Cheers and applause punctuate the performance, highlighting the song’s immediate impact and enduring appeal. The “Monument Concert” version isn’t just a performance; it’s a captured moment of musical history, showcasing Orbison at the peak of his powers and solidifying “Oh, Pretty Woman” as an anthem of desire and fleeting beauty. It’s a testament to the song’s enduring power and Orbison’s legendary status.