About the song
Roy Orbison – Oh, Pretty Woman (from Black & White Night)
There are songs that simply transcend generations, their magic woven into the very fabric of musical history. Roy Orbison’s “Oh, Pretty Woman” is undoubtedly one of those timeless gems. Released in 1964, it quickly ascended the charts, capturing hearts with its irresistible blend of rock and roll energy and operatic vocals. But it was Orbison’s performance of “Oh, Pretty Woman” in the 1987 concert film Black & White Night that cemented its legendary status.
This wasn’t just any concert. Imagine an intimate stage bathed in stark black and white, a gathering of music royalty assembled to pay homage to “The Big O.” Bruce Springsteen, Elvis Costello, k.d. lang, Jackson Browne – the lineup reads like a who’s who of rock and roll. And amidst this constellation of stars, Orbison, with his signature sunglasses and jet-black hair, stands as the undeniable focal point.
As the opening chords of “Oh, Pretty Woman” ring out, a palpable wave of excitement washes over the audience. James Burton’s iconic guitar riff, instantly recognizable, sets the stage for Orbison’s unmistakable voice. That voice, a force of nature capable of soaring to unimaginable heights and plumbing the depths of emotion, delivers each line with a blend of vulnerability and raw power.
What truly distinguishes this Black & White Night rendition is the palpable energy exchange between Orbison and his fellow musicians. Springsteen, with his youthful exuberance, adds a fiery edge to the performance, while Costello’s backing vocals provide a touch of harmonic richness. And who could forget k.d. lang’s mesmerizing presence, her voice blending seamlessly with Orbison’s in a moment of pure musical synergy?
But beyond the star-studded lineup and the technical brilliance, it’s the song itself that continues to resonate with audiences. “Oh, Pretty Woman” is a tale of longing and admiration, a simple story of a man captivated by a woman’s beauty. Orbison’s delivery, however, elevates it to something truly special. His voice, filled with both yearning and respect, captures the essence of innocent infatuation.
The Black & White Night performance of “Oh, Pretty Woman” is more than just a concert recording; it’s a testament to the enduring power of music. It’s a reminder that a truly great song, performed with passion and artistry, can transcend time and touch the souls of generations to come. So, settle in, turn up the volume, and prepare to be transported back to that magical night in 1987, when Roy Orbison, surrounded by his peers, delivered a performance for the ages.
Video
Lyrics
Pretty woman walkin’ down the street
Pretty woman, the kind I’d like to meet
Pretty woman, I don’t believe you, you’re not the truth
No one could look as good as you
Mercy
Pretty woman, won’t you pardon me?
Pretty woman, I couldn’t help but see
Pretty woman, that you look lovely as can be
Are you lonely just like me?
Grrrow
Pretty woman, stop awhile
Pretty woman, talk awhile
Pretty woman, give your smile to me
Pretty woman, yeah, yeah, yeah
Pretty woman, look my way
Pretty woman, say you’ll stay with me
‘Cause I need you, I’ll treat you right
Come with me, baby, be mine tonight
Pretty woman, don’t walk on by
Pretty woman, don’t make me cry
Pretty woman, don’t walk away, hey
Okay
If that’s the way it must be, okay
I guess I’ll go on home, it’s late
There’ll be tomorrow night, but wait
What do I see?
Is she walkin’ back to me?
Yeah, she’s walkin’ back to me
Oh, oh, pretty woman