In the tumultuous backdrop of 1969, as the Vietnam War raged and society grappled with unrest, Peter Yarrow of the folk trio Peter, Paul and Mary crafted a song that would resonate across generations. This song, “Day Is Done,” emerged not only as a musical piece but as a beacon of hope and unity during uncertain times.
Recorded in the bustling heart of New York City at A&R Recording Studios, the track was produced by the notable duo Albert Grossman and Milton Okun. Released in April 1969 by Warner Bros. Records, “Day Is Done” came paired with the B-side “Make-Believe Town” and featured prominently on the trio’s album Peter, Paul and Mommy, which debuted on May 1, 1969. This 2:38 minute folk-pop melody was marked by the group’s signature harmonies, delicate acoustic guitar strumming, and the touching inclusion of a children’s choir, which amplified its message of reassurance amid upheaval.
The song quickly found its footing in the public consciousness, making its debut on the Billboard Hot 100 at number 81 on May 3, 1969, eventually climbing to a respectable number 21 by June 7, remaining on the charts for a remarkable nine weeks. Additionally, it soared to number 7 on the Billboard Adult Contemporary chart, illustrating its widespread appeal. Across the borders, fans in Canada propelled it to number 14 on the RPM Top Singles chart, while Australian audiences helped it reach number 22. Music critics, such as those from Cash Box, lauded it as a “gentle, uplifting folk ballad” enriched by “soaring harmonies and heartfelt delivery.” The album’s many family-centric tunes, including classics like “Puff, the Magic Dragon,” helped make the song’s themes accessible to a diverse listenership.
Peter Yarrow’s role as an anti-war activist deeply influenced the song’s creation. Described by the songwriter as a lullaby-like anthem, “Day Is Done” was meant to sow seeds of optimism and collective hope amidst societal division. The presence of the children’s choir from the Church of the Heavenly Rest in New York City added an auditory innocence that contrasted poignantly with the era’s darker realities. The trio’s commitment to social causes was further underscored when they performed the song at the historic 1969 Moratorium to End the War in Vietnam. Though other prominent artists such as Joan Baez and Nana Mouskouri covered the song in the years that followed, Peter, Paul and Mary’s rendition remains the definitive version of this timeless piece. Its continued relevance was confirmed by its inclusion in compilation albums like The Very Best of Peter, Paul and Mary (2005).
Experts have weighed in on the song’s significance. Bruce Eder of AllMusic praised its “simple yet powerful arrangement” and recognized it as a hallmark in the trio’s evolution toward family-oriented music. The team at Songfacts revealed that Yarrow himself deemed it a personal favorite, one that encapsulates his belief in music’s unifying power. American Songwriter pointed to the song’s understated production, which allowed its heartfelt message to shine unfettered. Notably, the song stirred little controversy despite the politically charged context of its release, though some folk purists debated its slightly more commercial tone. Its enduring family-friendly appeal was further cemented by appearances in a 1970s PBS folk music special and a 1990s episode of Sesame Street.
The lyrics speak directly to the listener’s emotions, a dialogue between a parent and child, weaving themes of fear, sorrow, hope, and innocence—all culminating in the refrain that all will be well “when the day is done.” The use of simple yet profound words invites reflection on both personal and collective challenges, promising solace in togetherness.
Tell me why you’re crying, my son
I know you’re frightened, like everyone
Is it the thunder in the distance you fear?
Will it help if I stay very near?
I am here
And if you take my hand, my son
All will be well when the day is done
And if you take my hand, my son
All will be well when the day is done
Day is done, day is done, day is done, day is done
Do you ask why I’m sighing, my son?
You shall inherit what mankind has done
In a world filled with sorrow and woe
If you ask me why this is so
I really don’t know
Tell me why you’re smiling, my son
Is there a secret you can tell everyone?
Do you know more than men that are wise?
Can you see what we all must disguise
Through your loving eyes?